c. 1820–1880
Romantic cello excerpts
This romantic cello selection contains 15 excerpts. Begin with Schubert: "Death & the Maiden", II, theme: The cello plays the bass voice of the chorale-like theme, solemn, shrouded. The period label groups these works for discovery; it does not prescribe one tempo, articulation or sound for every composer.
Practise this selection
For cello, identify whether the passage carries the bass line, a tenor voice or the melody. Plan a shift through the phrase instead of practising only the arrival note, and check that the bow still has enough length for the end of a sustained line.
The recorded technique tags in this selection include chamber, quartet, lyrical, symphony, tenor-clef. Choose one relevant passage, read its specific practice notes below, and set one listening target before a complete run. Tags describe the library entries, not a required exam syllabus.
The romantic orchestra hands the cello section some of its most famous melodies, and with them the demands of sustained tone, wide vibrato, and shifting into tenor clef. Phrasing across long lines becomes as technical a problem as the notes themselves.
The excerpts
Schubert, "Death & the Maiden", II, theme
Schubert, Symphony No. 9, II, cello melody
Mendelssohn, Italian Symphony, IV, Saltarello
Mendelssohn, Italian Symphony, I, cello accomp.
Mendelssohn, A Midsummer Night's Dream, Scherzo
Schumann, Cello Concerto, I, opening solo
Saint-Saëns, Cello Concerto No. 1, opening
Brahms, Symphony No. 1, II, opening
Brahms, Symphony No. 2, II, cello opening
Brahms, Symphony No. 3, III, cello melody
Brahms, Symphony No. 4, I, second theme
Saint-Saëns, The Swan
Dvořák, Symphony No. 8, III, cello melody
Dvořák, New World Symphony, II, Largo
Dvořák, Cello Concerto, I, opening solo
Composers in this era
Other eras
Style is learned from the technique underneath
Arco's cello curriculum covers the bow strokes, positions, and clef reading these excerpts assume.