c. 1750–1820
Classical bass excerpts
This classical bass selection contains 6 excerpts. Begin with Mozart: Haffner Symphony, IV, Presto: The standard classical bass excerpt. Fast running passagework that has to stay light, clear, and exactly in time. The period label groups these works for discovery; it does not prescribe one tempo, articulation or sound for every composer.
Practise this selection
For double bass, distinguish the written part from its sounding register, normally an octave lower. Isolate a string crossing or position change without dropping the underlying pulse, then check the length and release of notes against the ensemble role.
The recorded technique tags in this selection include symphony, audition, fast, classical-style, accompaniment. Choose one relevant passage, read its specific practice notes below, and set one listening target before a complete run. Tags describe the library entries, not a required exam syllabus.
Classical scoring separates cello from bass more often, giving the section its own inner lines and occasional melody. Clarity, precise ensemble, and disciplined rhythm matter more than volume, and the bow strokes are shorter and more articulate than most students first expect.
The excerpts
Composers in this era
Other eras
Style is learned from the technique underneath
Arco's bass curriculum covers the bow strokes, positions, and clef reading these excerpts assume.