Left hand & fingerboard
Simandl fingerings
Simandl fingerings are the standard orchestral double bass system, using the first, second, and fourth fingers in the lower positions because the hand spans only a whole step there.
Franz Simandl's New Method for the Double Bass codified the approach in the nineteenth century, and it remains the default in orchestral training. Below thumb position the hand covers roughly a whole step, so assigning one finger per half step means three fingers, not four: the third finger reinforces the fourth rather than stopping its own note.
The consequence is that bassists shift constantly where a cellist would extend. A one-octave scale that a cellist plays with two shifts may take a bassist five or six. This is why bass method books devote so much attention to position changes so early, and why a bassist's intonation depends more on shift accuracy than on finger placement within a position.
The main alternative, the Rabbath method, organises the fingerboard into six pivoting positions and is more common in solo playing.
Related terms
Every term in this glossary is taught in context somewhere in Arco's curricula, on the staff, on the keyboard, and on your own fingerboard at the same time.